The Venice Biennale

The Venice Biennale is the oldest and largest biennale, making it one of the most prestigious international events in the contemporary art world today. Every second year the Venice Biennale attracts a large international art audience - with a record high number of visitors in 2015 of 501,000 visitors. The Biennale is open from May to November.

VIVA ARTE VIVA 

The Biennale’s main exhibition is curated by an international head curator, who draws up the overall theme of the Biennale and selects the artists participating in the main exhibition. The main exhibition takes place in the Biennale’s Central Pavilion and in the Arsenale, and old military complex. In 2017 the head curator of the Venice Biennale is the French art historian Christine Macel with the exhibition titled VIVA ARTE VIVA. In addition to the main exhibition, the Biennale is composed of a large number of national pavilions, which are located in and around the Giardini di Castello park.

Over the years the Venice Biennale has inspired an ever-growing number of art biennales of different scale worldwide. However, despite the increased competition, the Venice Biennale has managed to maintain its status as one of the most significant international events in the field of contemporary art. You can read more about the main exhibition and the various venues on the Biennale’s official website via the link on the right.

The History of The Venice Biennale

It was the city’s mayor and art connoisseur, Riccardo Sellvatico who conceived the idea of an art biennale in Venice in the 1890s. In the 19th century, as Venice increasingly lost its significance as a trading city, he sought other means, by which the city could retain its status as the Queen of the Adriatic.

In 1893 the local government decided to hold an international art biennale and established a committee consisting of some of Europe’s most significant artists to define the artistic profile. The first Biennale was held in 1895 in the Palazzo d’ Esposizione, which was specially constructed for the purpose. The Biennale was a success from the start with high visitor numbers, and the number grew at subsequent Biennales. Interrupted only by major world political events, since 1895 there has been a Biennale every second year in Venice.

In the first 20 years of the Biennale’s history, the works exhibited reflected almost exclusively the official art of the day: for example, salon art and national romantic painting. However, the 1920s witnessed the emergence of more modern artistic trends at the Biennale in the form of Impressionism, Symbolism, Die Brücke etc. The Biennales of the 1950s introduced a number of artistic movements of great importance for the history of art: for example, Cubism, Fauvism, Futurism and Surrealism. There were also a number of centrally curated separate exhibitions.

Despite being one of the most prestigious and established artistic events ever, during the 1960s the Venice Biennale came under attack in many political artistic debates. At 1968, by way of protest against the Biennale, this criticism culminated in an occupation by students and artists of the Italian academy of art. They accused the Biennale of being about commerce rather than culture. In the same year, the controversial artistic movement, Situationist International broke into the Biennale area and created the “Pavilion of Rebellion”.

During the 1970s the Biennale undertook to reform itself and to take on board some of the criticism. For example, they introduced a theme for the Biennale’s joint exhibition, which also aimed to be an indicator for the pavilions, and they appointed a curator for the joint exhibition. 1980 witnessed the introduction of the Aperto exhibition, an exhibition element for younger artists. This is also when they started to make use of the Arsenale complex, which is adjacent to the Giardini di Castello.

 

 

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